Brooklyn based Hot Shot Victoria Rich grew up drawing, studied graphic design while in college, and then realized that photography complimented her knack for image-making rather well. And it’s a good thing… Perhaps I am far too lost in my holiday spirits, but Victoria has managed to capture something I am desperate to find. See that here.

Birthplace? Where were you raised?
Born in Lackawanna, NY. Grew up in Floral Park, NY.

Your age?
36

What do you do to pay the bills?
I teach at ICP, do freelance production/photo editing, shoot editorial/commercial work. I like being involved in different aspects of photography.

What initiated your committed romance with photography?
I remember always being interested in pictures when I was a kid. I liked the history of any family images. I also liked using the family camera, however unimpressive (110 point + shoot). I also remember getting in trouble for ‘wasting film on unimportant things’. I always drew a lot, somewhat seriously by high school. I started to realize my drawings were very photographic, quite detailed, objects or often spaces, interiors w/ a person. I took a photo class my first semester in college which I had been looking forward to for a long time, and it made sense right away. The visceral quality of photographs, regardless of how that can be manipulated, has always interested me.

What artists inspire you––whether they be photographers, musicians, politicians, painters, or the like?
Eggleston, Robert Polidori, Paul Seawright. Vija Celmins. Painters such as Vuillard, Bonnard. Raymond Carver.

What do you like most about being a “photographer”?
I like the surprises. While I do have different specific projects or themes that I work on, I never set things up or have very specific ideas about what I am going to shoot. I like finding things along the way. I especially like when I initially think there is nothing to shoot, but then I discover lots of interesting things. That is what I also like about assignments, the opportunity to go shoot something you would not have access to otherwise neccessarily.

What formal training, if any, do you have?
BFA from SUNY Purchase, MFA from Hunter College.

What camera do you use?
My favorite camera for a while has been a 1956 Rollei. I like the square format, and the waist level viewing. Also the fact that there are no battery/electronic components to it. I have a ‘modern’ 645 and there are sometimes malfunctions. I also have an old 4×5.

What piece of equipment do you fetishize the most and/or what is your guiltiest tech pleasure?
Sometimes I look at other Rolleis, but then I feel guilty. I would not mind having a Hasselblad.

Do you have any other creative talents?
I’ve gotten pretty good at embroidery.

What are the top three movies on your queue?
Atlantic City
Midnight Cowboy
Badlands

What are your favorite websites/blogs?
The Lower East Side Tenement Museum (www.tenement.org). There are virtual tours + history.

If you were on a deserted island and could only take one luxury, what would it be?
lip balm

Favorite color?
Red. Or green.

Favorite food?
There are many. Kale and figs top the list.

Favorite way to kill time?
I run a lot, though that’s not really killing time.

Any pets?
Yes, 2 cats, by default (stray rescue)

a self-portrait by Chad Muthard

Hot Shot Chad Muthard is not only a talented photographer and Photoshop master, but he also writes and plays the guitar, all at the prime age of 23. I give you Chad.

Current place of residence?
Philadelphia, Pennsylvania (Kensington)

Birthplace? Where were you raised?
Allentown, PA I grew up in Catasauqua, PA

What do you do to pay the bills?
I work as the Print Center Coordinator at Moore College of Art and Design at night, and during the day when I’m not pacing around or making art, I work as the Creative Director at Wonka Vision Magazine, where I am in charge of getting artists and photographers for the Artist Feature and Photo Essay articles of each issue.

What initiated your committed romance with photography?
I’m not quite sure how it began, maybe it was just something to do since I couldn’t sit still, but what I think it has evolved into is a medium where I can start to analyze/criticize moments in life with better clarity and that is what has kept it as a constant for me. Most of my photography now is initiated by conversations with people or events that occur throughout the day or in the past. Recently, it has been more about questioning the purpose behind the actions of myself and others, whether that be conscious or subconscious decisions.

What artists inspire you––whether they be photographers, musicians, politicians, painters, or the like?
To be honest I think I am more inspired lately to create work from listening music and reading books, then I am by other photographers or painters, there is something about the intangibility of words that lets my mind wonder. Some musicians I listen to now are people like Micah P. Hinson, Tim Kasher, Maria Taylor, Jenny Lewis, Lucero, Jena/Berlin. Authors I have been reading are: alot of John Fante, Charles Bukowski, Kurt Vonnegut, Jeffrey Eugenides, J.D. Salinger, Brett Easton Ellis, Gabriel Garcia Marquez. But, I would truly be a liar to say that there have not been past influences from art, people like Jeff Wall, Duane Michals, Thomas Demand, Doug Aitken Jake and Dinos Chapman. Most of their work has guided my direction in how to go about using narration in art.

What do you like most about being a “photographer”?
Freedom to do whatever I feel and capture it instantly as a moment. That’s the old cliche line, right? I don’t feel much differently. But, really I think its all about connections, putting your personality out there, your life experiences, your problems, your ideas, and communicating with others. The images I create are mostly fictional, but under that they have real emotions, real stories, real philosophy and personality that other people can connect with, or take and interpret to connect their own life with mine. That’s what I love about art and I think that’s the most important part.

What formal training, if any, do you have?
I went to Tyler School of Art in Philadelphia, there I was taught the basics. The best “formal” training it gave me was how to analyze art, and how to constructively criticize the work to get it to a higher level. Also, at Tyler I did a lot of work collaboratively with my friend Nils Orth, which was a great experience on many levels, and helped me to think differently about art, and opening up to different ideas and views on how to create.

What camera do you use?
Lately, I have been shooting with a Nikon D2x. I have a Mamiya RZ67 that I actually like a lot more but haven’t used it lately because of the cost of film and the time it takes up to scan and dust, maybe one day I will bring it back and/or be able to afford a digital back.

What piece of equipment do you fetishize the most and/or what is your guiltiest tech pleasure?
I’d have to say Photoshop, I construct all the work I make, don’t get me wrong, everything you see in the photographs is actually there in real life, but I am just insanely nit picky about things like layer masking. It gets to the point where a friend will look at my file and click layers off and on and have no idea what changing, sometimes I even have to stare at it for awhile til I know whats happening.

What do you find to be the biggest cliche in photography these days?
Jesus, that’s a loaded question. In reality, a cliche is anything the public deems it to be, one moment everyone is saying its cliche to have trashy looking fashion shots, then its cliche to make narratives, then anyone who is creating digital composites is cliche, its all based upon whats hot for this moment. I try not to let myself get caught up in that kind of stuff, I make work I like to make and if I stop liking how it looks I will switch it up.

What are your loftiest goals?
To be able to make a living off of making artwork

What are the top three movies on your queue?
Mickeybo and Me (the best film in years)
Royal Tennebaums
High Fidelity

What book connects with your life the most?
Right now, I’d say Ask The Dust(I can’t help but personify myself as Arturo Bandini).

What are your favorite websites/blogs?
tylerpaint.com (art blog started by students)
fallonandrosof.blogspot.com (art blog run by Roberta Fallon and Libby Rosof)

Who are your favorite musicians? Do you have an anthem?
Elliott Smith. If I had an anthem it would be…the Broken Social Scene CD You Forgot It In People

Juliana and her dog, Moishe Godoshevitz Beasley

Let’s start with Jersey City resident Juliana Beasley. I had the pleasure of meeting Juliana and seeing some of her work first hand last week. A disco fiend, if not out and about with her camera, she can be found at home dancing with her beloved pet, Moishe.

Birthplace? Where were you raised?
I was born in the East Falls part of Philadelphia, PA. I was raised in Philadelphia, New Rochelle, New York, and Florence Italy.

Your age?
I’m 39 years old.

What do you do to pay the bills?
I worked as a career stripper for eight years. Now, I take photos.

What initiated your committed romance with photography?
As a child, I was obsessed to create a sense of self and a personal history through my mother’s intricately made photo albums of family snapshots. I began shooting my own work after modelling for my ex-boyfriend Christoph. I changed majors from Italian and French to photography in my third year of school.

What artists inspire you––whether they be photographers, musicians, politicians, painters, or the like?
I was inspired early on by Charles Addams, Oliver Sax, and Robert Crumb. Later and now, I am inspired by Larry Clark, Boris Mikhailov, Jim Goldberg, Bill Burke, Kent Klich, Eugene Richards, and E.J. Bellocq. Wow, I picked all male artists…that’s gotta’ change.

What do you like most about being a “photographer”?
I enjoy getting to break boundaries and get close to my subjects. I like going to the point of “no return” when you go through the manic spells of the creative process.

What formal training, if any, do you have?
I studied at New York University for two years and graduated with a B.F.A. in photography.

What camera do you use?
I’m still trying to figure out if I should stick with one format. I can see the benefits of all of them…it’s like changing your clothes, or better said I’m non commital in my format selections. So, here goes, I shoot with a Rollei Twin Lens, a panoramic, a polaroid, a Mamiya 645 and a Contax 35mm. I suppose I’m most fond of the square format. While working on a project, I will use
several formats.

What piece of equipment do you fetishize the most and/or what is your guiltiest tech pleasure?
I love to color correct….I love getting down to the subtle nuances of color correction and the feeling of my own color vivid persona.

What do you find to be the biggest cliche in photography these days?
The dead zombie look of staged seens crafted after Philip Lorca di Corcia. Children and adults naked and frozen in sureal situations. The lighting is flawless but the photograph is devoid of feeling and depth. After a while it begins to look like an excercise in masturbatory lighting technical finesse.

What are your loftiest goals?
Really simple. Have the means to travel as much as I can and photograph as much as I can and make more books. And get a deep tissue massage once a week.

Do you have any other creative talents?
I love to dance to Bollywood Pop music in my apartment with my dog, Moishe. I love words more than I enjoy reading books and I found out in my early thirties that I love writing…finding the right words without using too much vernacular and expressing myself though language to my deepest core.

What are the top three movies on your queue?
I would be lying if I were to say these are my top favorite three…there are too many good choices out there.

Four Hundred Blows
Harold and Maude
Vagabond

Favorite possession?
The air that I breathe.

While our winners are busily preparing for the showcase, allow me the pleasure of introducing you to each of them. Check back regularly for the Hot Shot interview of the day––10 Hot Shots, 10 days until opening.

And don’t forget to pencil it in:

jen bekman presents
the Hey, Hot Shot! Winners’ Showcase
Wednesday December 13, 2006 from 6–8pm
6 Spring St - New York, NY 10012